{"id":48068,"date":"2022-03-28T17:20:06","date_gmt":"2022-03-28T15:20:06","guid":{"rendered":"https:\/\/www.fotolab.sk\/blog\/?p=48068"},"modified":"2022-03-28T17:32:28","modified_gmt":"2022-03-28T15:32:28","slug":"retro-vs-moderne-fotoaparaty-co-je-lepsie-a-preco-1-diel","status":"publish","type":"post","link":"https:\/\/www.fotolab.sk\/blog\/retro-vs-moderne-fotoaparaty-co-je-lepsie-a-preco-1-diel\/","title":{"rendered":"Retro vs. modern\u00e9 fotoapar\u00e1ty \u2013 \u010co je lep\u0161ie a pre\u010do? 1. diel"},"content":{"rendered":"
Modern\u00e9 technol\u00f3gie ukryt\u00e9 pod r\u00fa\u0161kom retro kab\u00e1ta? V\u00fdrobcovia fotoapar\u00e1tov radi zahraj\u00fa na n\u00f4tu nostalgie. Niektor\u00ed id\u00fa iba cestou farieb a tvarov, in\u00ed zase vlne retra prisp\u00f4sobia aj samotn\u00e9 ovl\u00e1danie a softv\u00e9r. Ako si tak\u00e9to stroje stoja proti \u010disto modern\u00fdm fotoapar\u00e1tom?<\/h5>\n
Ako to v\u0161etko za\u010dalo<\/h5>\n

Ke\u010f z hist\u00f3rie vynech\u00e1me r\u00f4zne vari\u00e1cie na dierkov\u00e9 komory, ve\u013ekoform\u00e1tov\u00e9 doskov\u00e9 fotoapar\u00e1ty s mechom a dvojok\u00e9 zrkadlovky, dostaneme sa k fotoapar\u00e1tom klasickej kon\u0161trukcie, ktor\u00e1 sa v takmer nemennej podobe vyu\u017e\u00edva u\u017e viac ako 80 rokov. Prv\u00e1 skoro jednook\u00e1 zrkadlovka uzrela svetlo sveta u\u017e v roku 1936 a bola n\u00edm Kine Exakta zabudnut\u00e9ho nemeck\u00e9ho v\u00fdrobcu Ihagee.<\/p>\n

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Neskor\u0161ia verzia Exakty pou\u017e\u00edvala h\u013ead\u00e1\u010dik s lep\u0161ou optikou.<\/figcaption><\/figure>\n

 <\/p>\n

Pre\u010do skoro? Term\u00edn jednook\u00e1 zrkadlovka je pri prvej Exakte na hrane. H\u013ead\u00e1\u010dik bol toti\u017e viac podobn\u00fd dvojok\u00fdm pr\u00edstrojom. Pou\u017e\u00edval sa poh\u013eadom dole a mal vlastn\u00fa optiku mimo roviny objekt\u00edvu. O prec\u00edznej kompoz\u00edcii sa rozhodne hovori\u0165 nedalo. Vzh\u013eadovo bola ale Exakta ve\u013emi bl\u00edzko tomu, \u010do pozn\u00e1me aj dnes.<\/p>\n

T\u00e1 prav\u00e1 revol\u00facia pri\u0161la a\u017e o 11 rokov nesk\u00f4r. V Taliansku, v roku 1947 uzrel svetlo sveta fotoapar\u00e1t Rectaflex. Bol to prv\u00fd s\u00e9riovo vyr\u00e1ban\u00fd fotoapar\u00e1t, ktor\u00fd pou\u017e\u00edval h\u013ead\u00e1\u010dik zlo\u017een\u00fd z optick\u00e9ho hranola. Nefotilo sa teda od p\u00e1sa, ale h\u013ead\u00e1\u010dik sa prikladal klasicky k oku. Nebol s\u00edce nijako rozmern\u00fd ani kontrastn\u00fd, zdrojom premietan\u00e9ho obrazu bol v\u0161ak objekt\u00edv, bola to zrkadlovka.<\/p>\n

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Rectaflex bol pod\u013ea m\u0148a svojim designom n\u00e1dhern\u00fd fotoapar\u00e1t.<\/figcaption><\/figure>\n

 <\/p>\n

Zauj\u00edmav\u00e9 na tom v\u0161etkom je, \u017ee technol\u00f3gia pou\u017eit\u00e1 vo fotoapar\u00e1te Rectaflex sa v jadre pr\u00edli\u0161 neodli\u0161ovala od toho, \u010do n\u00e1jdete v dne\u0161n\u00fdch digit\u00e1lnych zrkadlovk\u00e1ch. Druhou zauj\u00edmavos\u0165ou je to, \u017ee Rectaflex bol prv\u00fd a z\u00e1rove\u0148 posledn\u00fd fotoapar\u00e1t talianskej produkcie.<\/p>\n

Z minulosti sa presunieme do s\u00fa\u010dasnosti. Klasick\u00e9 DSLR zrkadlovky u\u017e svojimi technol\u00f3giami nemaj\u00fa kam r\u00e1s\u0165 a pomaly a iste sa st\u00e1vaj\u00fa hist\u00f3riou. Znie to zvl\u00e1\u0161tne, v\u0161ak zrkadlovky pou\u017e\u00edva (a pou\u017e\u00edva\u0165 bude) st\u00e1le v\u00e4\u010d\u0161ina fotografov, bez oh\u013eadu na to, \u010di s\u00fa prof\u00edci alebo amat\u00e9ri. Ide ale o to, \u010do si o v\u00fdvoji myslia samotn\u00ed v\u00fdrobcovia fotoapar\u00e1tov. T\u00ed toti\u017e, a\u017e na jednu v\u00fdnimku, svoje \u00fasilie a financie smeruj\u00fa \u010disto smerom k bezzrkadlovej kon\u0161trukcii.<\/p>\n

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Prv\u00e1 komer\u010dne roz\u0161\u00edren\u00e1 digit\u00e1lna zrkadlovka bola Kodak DCS 100 z roku 1991, a vych\u00e1dzala z Nikonu F3. Na fotke je modernej\u0161\u00ed Kodak DCS 760 z roku 2001 postaven\u00fd na z\u00e1kladoch Nikonu F5.<\/figcaption><\/figure>\n

 <\/p>\n

A mne to osobne v\u00f4bec nevad\u00ed. Dne\u0161n\u00e9 bezzrkadlovky u\u017e nie s\u00fa len oby\u010dajnou alternat\u00edvou plnou \u00fastupkov a obmedzen\u00ed. Naopak, prin\u00e1\u0161aj\u00fa nov\u00e9 mo\u017enosti a funkcie, ktor\u00e9 zjednodu\u0161uj\u00fa proces tvorby fotografie aj vide\u00ed. Tento \u010dl\u00e1nok v\u0161ak nie je a nebude o ob\u013e\u00fabenom porovn\u00e1van\u00ed zrkadloviek a bezzrcadloviek. Bude o dizajne, ergon\u00f3mii a l\u00e1ske k starej technike, na ktor\u00fa dne\u0161n\u00e9 fotoapar\u00e1ty tak rady odkazuj\u00fa.<\/p>\n

Pre\u010d\u00edtajte si tie\u017e na blogu: \u201eAko vybra\u0165 fotoapar\u00e1t: kompletn\u00fd sprievodca\u201c<\/a><\/p><\/blockquote>\n

A pre\u010do v\u00f4bec bezzrkadlovky spom\u00ednam? Jednou z nev\u00fdhod zrkadlovej kon\u0161trukcie je limit\u00e1cia toho, ako bude fotoapar\u00e1t vyzera\u0165. Optick\u00fd h\u013ead\u00e1\u010dik mus\u00ed by\u0165 v jednej rovine s objekt\u00edvom, preto\u017ee obraz sa do\u0148ho posiela pomocou zlo\u017eitej kon\u0161trukcie zrkadiel alebo \u0165a\u017ek\u00e9ho optick\u00e9ho hranola. To nehovor\u00edm ani o syst\u00e9me ostrenia, o ktor\u00e9 sa star\u00e1 separ\u00e1tny \u010dip v spodnej \u010dasti fotoapar\u00e1tu. Preto s\u00fa v zrkadlovk\u00e1ch ostriace body \u010dasto nahusten\u00e9 iba v strede obrazu. Bezzrkadloviek sa ale tieto obmedzenia net\u00fdkaj\u00fa.<\/p>\n

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H\u013ead\u00e1\u010dik Panasonicu GX7 bol umiestnen\u00fd v rohu pr\u00edstroja a navy\u0161e sa dal vyklopi\u0165. Geni\u00e1lny n\u00e1pad. Je \u0161koda, \u017ee sa ho v\u00fdrobcovia nedr\u017eia dodnes.<\/figcaption><\/figure>\n

 <\/p>\n

N\u00e1vrat teda hl\u00e1si pr\u00edstroje v dizajne dia\u013ekomern\u00fdch fotoapar\u00e1tov, kedy je h\u013ead\u00e1\u010dik umiestnen\u00fd v rohu pr\u00edstroja. Stretnete sa aj so zauj\u00edmav\u00fdmi kon\u0161truk\u010dn\u00fdmi rie\u0161eniami, kedy m\u00f4\u017ee by\u0165 h\u013ead\u00e1\u010dik v\u00fdklopn\u00fd alebo \u00faplne odpojite\u013en\u00fd. V\u0161etko toto s\u00fa veci, ktor\u00e9 neboli s klasickou zrkadlovou kon\u0161trukciou mo\u017en\u00e9 a z\u00e1rove\u0148 s\u00fa to d\u00f4vody, ktor\u00e9 d\u00e1vaj\u00fa v\u00fdrobcom fotoapar\u00e1tov vo\u013enej\u0161iu ruku pri n\u00e1vrhu v\u00fdsledn\u00e9ho designu.<\/p>\n

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\u010co v\u00e1m napadne, ke\u010f sa povie \u201edia\u013ekomer\u201c? Jasne \u017ee Leica. Na fotke model M4, posledn\u00fd bez zabudovan\u00e9ho expozimetra.<\/figcaption><\/figure>\n
<\/h5>\n
\u010co definuje modern\u00fd fotoapar\u00e1t?<\/h5>\n

Dne\u0161n\u00e9 retro fotoapar\u00e1ty klam\u00fa telom a v skuto\u010dnosti pou\u017e\u00edvaj\u00fa rovnako modern\u00e9 technol\u00f3gie, ako ich bacu\u013eat\u00e9 n\u00e1protivky. \u010co je teda typick\u00e9 pre modern\u00fa kon\u0161trukciu? V prvom rade to bud\u00fa obl\u00e9 alebo naopak ostr\u00e9 hrany, dobr\u00e1 ergon\u00f3mia, naj\u010dastej\u0161ie doplnen\u00e1 \u010dierno\u010diernym plastom a zliatinou hor\u010d\u00edka. Modern\u00e9 stroje id\u00fa v \u00fastrety ergon\u00f3mii. Ka\u017ed\u00e9 tla\u010didlo aj koliesko je umiestnen\u00e9 ide\u00e1lne tak, aby nebolo nutn\u00e9 po\u010das fotografovania d\u00e1va\u0165 dole jednu ruku z objekt\u00edvu a druh\u00fa z fotoapar\u00e1tu.<\/p>\n

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Canon EOS 5D Mark IV<\/a> Canon EOS 5D Mark IV je pre mnoho \u013eud\u00ed po str\u00e1nke dr\u017eania a ergon\u00f3mie t\u00fdm najlep\u0161\u00edm, \u010do kedy bolo vyroben\u00e9. Je to zvl\u00e1\u0161tne, ale dizajn a tvar tela sa pr\u00edli\u0161 neodli\u0161uje od prv\u00e9ho \u201ep\u00e4\u0165 de\u010dka\u201c z roku 2005.<\/figcaption><\/figure>\n

 <\/p>\n

D\u00f4le\u017eit\u00fdm pozn\u00e1vac\u00edm znamen\u00edm s\u00fa potom ovl\u00e1dacie kolieska a ich prevedenie. Z\u00e1kladn\u00e9 modely s\u00fa naj\u010dastej\u0161ie vybaven\u00e9 iba jedn\u00fdm kolieskom, tzv. rollerom. To ovl\u00e1da jeden z parametrov pod\u013ea zvolen\u00e9ho fotografick\u00e9ho re\u017eimu. Pokia\u013e pracujete v manu\u00e1lnom nastaven\u00ed a chcete ovl\u00e1da\u0165 clonu aj \u010das, mus\u00edte stla\u010den\u00edm tla\u010didla funkciu rolleru po\u010das fotenia meni\u0165.<\/p>\n

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NikonD3500<\/a> fot\u00ed skvele, ale ovl\u00e1danie m\u00e1 maxim\u00e1lne zjednodu\u0161en\u00e9. Na jeho tele n\u00e1jdete len jedno koliesko a mnoho nastaven\u00ed bu\u010f \u00faplne ch\u00fdba alebo je schovan\u00e9 v menu. A \u010do si budeme nahov\u00e1ra\u0165, ve\u013ea kr\u00e1sy nepobral. Sto \u013eud\u00ed, sto chut\u00ed!<\/figcaption><\/figure>\n

 <\/p>\n

Pokro\u010dil\u00e9 modern\u00e9 pr\u00edstroje potom spozn\u00e1te pod\u013ea toho, \u017ee s\u00fa na ich tele minim\u00e1lne dve kolieska. Stretn\u00fa\u0165 sa m\u00f4\u017eete aj s tromi a \u0161tvrt\u00e9 potom m\u00f4\u017ee suplova\u0165 kr\u00fa\u017eok ostrenia na objekt\u00edve, ktor\u00fd je u nov\u00fdch bezzrkadloviek programovate\u013en\u00fd. Tento sp\u00f4sob ovl\u00e1dania je oproti jednoduch\u00fdm fotoapar\u00e1tom s jedn\u00fdm kolieskom r\u00fdchlej\u0161\u00ed. Umo\u017en\u00ed v\u00e1m tak ove\u013ea pohotovej\u0161ie reagova\u0165 na dan\u00e9 situ\u00e1cie.<\/p>\n

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Sony A7 IV je dokonalou uk\u00e1\u017ekou modern\u00e9ho designu. Podrobn\u00fa recenziu n\u00e1jdete na blogu.<\/figcaption><\/figure>\n

 <\/p>\n

\u010eal\u0161\u00edm pozn\u00e1vac\u00edm prvkom modern\u00fdch fotoapar\u00e1tov je sp\u00f4sob, ak\u00fdm odovzd\u00e1vaj\u00fa inform\u00e1cie o nastaven\u00fdch parametroch. Retro fotoapar\u00e1ty sa spoliehaj\u00fa na mechanick\u00e9 kolieska s vyzna\u010den\u00fdmi hodnotami. Modern\u00e9 zrkadlovky a bezzrkadlovky pou\u017e\u00edvaj\u00fa v\u00fdhradne zadn\u00e9 LCD, \u010dasto doplnen\u00e9 o stavov\u00fd displej.<\/p>\n

S n\u00e1stupom elektronick\u00fdch h\u013ead\u00e1\u010dikov (EVF) a ich schopnosti zobrazi\u0165 rovnak\u00e9 inform\u00e1cie ako hlavn\u00fd monitor, u\u017e nie je tak d\u00f4le\u017eit\u00e9 ma\u0165 na fotoapar\u00e1te stavov\u00fd displej. Alebo sa to aspo\u0148 tvrd\u00ed. Ja na svojom bezzrkadlovom fotoapar\u00e1te stavov\u00fd displej m\u00e1m a ned\u00e1m na\u0148 dopusti\u0165 \u2013 \u010dasto \u201evid\u00edm fotku\u201c, nastavujem parametre cez stavov\u00e9 LCD a a\u017e potom priklad\u00e1m oko na h\u013ead\u00e1\u010dik alebo vykl\u00e1pam displej a fot\u00edm napr\u00edklad od zeme.<\/p>\n

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Pri fotoapar\u00e1toch Panasonic S1, S1R a S1H n\u00e1jdete ve\u013ek\u00fd a preh\u013eadn\u00fd stavov\u00fd displej. Celkov\u00fd dizajn m\u00e1 \u013eahk\u00fd n\u00e1dych retra s modern\u00fdm ovl\u00e1dan\u00edm a perfektnou ergon\u00f3miou.<\/figcaption><\/figure>\n

 <\/p>\n

Posledn\u00fdm ve\u013ek\u00fdm rozdielom medzi retro a modernou kon\u0161trukciou je samotn\u00e9 dr\u017eanie pr\u00edstroja. V\u00fdrobcovia fotoapar\u00e1tov toti\u017e pri retro \u0161t\u00fdle po\u010d\u00edtaj\u00fa s obojru\u010dn\u00fdm \u00fachopom. M\u00f4\u017ee za to skromnej\u0161\u00ed grip, niekedy dokonca \u017eiadny. Neraz som bol v situ\u00e1cii, kde som pri fotoapar\u00e1te musel rie\u0161i\u0165 nedostatky oh\u013eadom ergon\u00f3mie a to pomocou dodato\u010dn\u00e9ho gripu alebo aspo\u0148 opierky na palec, ktor\u00e1 sa vkladala do s\u00e1nok blesku.<\/p>\n

Dos\u0165 bolo re\u010d\u00ed, ideme sa pozrie\u0165, z ak\u00fdch retro fotoapar\u00e1tov m\u00f4\u017eeme vybera\u0165 a nezabudneme ani na ich modern\u00e9 n\u00e1protivky.<\/span><\/p>\n

Retro z dielne Nikonu<\/h5>\n

Pr\u00edslovie, \u017ee ke\u010f dvaja robia to ist\u00e9, nie je to ist\u00e9, sa v\u00e4\u010d\u0161inou pou\u017e\u00edva sk\u00f4r v negat\u00edvnom slova zmysle. U Nikonu to ale neplat\u00ed. Pri\u0161iel toti\u017e na trh s dvoma strojmi, ktor\u00e9 s\u00fa tabu\u013ekovo takmer rovnak\u00e9. V praxi sa ale nem\u00f4\u017eu l\u00ed\u0161i\u0165 viac. Re\u010d je samozrejme o v\u00fdborn\u00fdch APS-C bezzrkadlovkach Nikon Z 50<\/a> a Nikon Z fc<\/a>.<\/p>\n

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Pohodlie oproti \u010d\u00edrej radosti z fotenia – ktor\u00fd by ste si vybrali vy?<\/figcaption><\/figure>\n

 <\/p>\n

Na prv\u00fd poh\u013ead je vidie\u0165 v\u00fdrazn\u00fd rozdiel v spracovan\u00ed aj v celkovej ergon\u00f3mii. Nikon Z 50 je klasick\u00e1 modern\u00e1 bezzrkadlovka. Je mal\u00e1, v\u00fdkonn\u00e1, pou\u017e\u00edva \u0161tandardn\u00e9 ovl\u00e1danie pomocou dvoch koliesok, ktor\u00fdm sekunduje dotykov\u00fd displej a rad proramovate\u013en\u00fdch tla\u010didiel.<\/p>\n

Ergon\u00f3mia Nikonu Z 50 je u\u010debnicov\u00e1. Ve\u013ek\u00fd a pohodln\u00fd grip u\u013eah\u010duje pr\u00e1cu a umo\u017en\u00ed \u013eahko pracova\u0165 aj s v\u00e4\u010d\u0161\u00edmi objekt\u00edvmi. Na fotoapar\u00e1te nech\u00fdba \u0161tandardn\u00fd voli\u010d re\u017eimov a dedikovan\u00e9 tla\u010didl\u00e1 pre nastavenie citlivosti a korekcie expoz\u00edcie. Je to jednoducho podaren\u00fd modern\u00fd pr\u00edstroj, ktor\u00fd svoj\u00edm vzh\u013eadom asi nikoho nenadchne, ale rozhodne ani neuraz\u00ed.<\/p>\n

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V\u0161imnite si mal\u00fd displej pri Nikone Z fc, sl\u00fa\u017ei na zobrazenie nastavenej clony. V\u0161etky parametre tak nastav\u00edte poh\u013eadom na horn\u00fa stranu pr\u00edstroja.<\/figcaption><\/figure>\n

 <\/p>\n

Nikon Z fc je v\u0161ak fotoapar\u00e1t z \u00faplne in\u00e9ho cesta. Teda nie tak celkom. Ak by sme sa pozreli pod jeho \u0161t\u00fdlov\u00fa retro \u0161krupinu, na\u0161li by sme prakticky rovnak\u00e9 technol\u00f3gie, ako u \u201ezet p\u00e4\u0165desiatky\u201c. V\u00fdrazne sa v\u0161ak odli\u0161uje sp\u00f4sobom ovl\u00e1dania a t\u00fdm, ako p\u00f4sob\u00ed na okolie.<\/p>\n

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Z 50 pou\u017e\u00edva v\u00fdklopn\u00fd displej s trojicou dotykov\u00fdch tla\u010didiel. Z fc zase v\u00fdklopn\u00fd a oto\u010dn\u00fd displej, ktor\u00fd m\u00f4\u017eete schova\u0165 a fotografova\u0165 \u010disto za pomocou h\u013ead\u00e1\u010dika. Pr\u00edjemn\u00fd detail a odkaz na minulos\u0165 je aj kruhov\u00e1 o\u010dnica.<\/figcaption><\/figure>\n

 <\/p>\n

Je to presne ten typ fotoapar\u00e1tu, ktor\u00fd zaujme oko prakticky ka\u017ed\u00e9ho. Na \u017eivo vyzer\u00e1 e\u0161te lep\u0161ie ako na produktov\u00fdch fotografi\u00e1ch. Strieborn\u00e1 farba doplnen\u00e1 \u010diernou imit\u00e1ciou ko\u017ee je ale len jedna vec. Kompletne prepracovan\u00e9 je aj ovl\u00e1danie. Ani tu nech\u00fdbaj\u00fa dve kolieska. Tie s\u00fa doplnen\u00e9 o vlastn\u00e9 kovov\u00e9 voli\u010de pre nastavenie \u010dasu, korekcie expoz\u00edcie a citlivosti ISO.<\/p>\n

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Na fotografii nie je Nikon Z fc ale kinofilmov\u00fd model FM2, na ktor\u00fd Z fc priamo odkazuje.<\/figcaption><\/figure>\n

 <\/p>\n

Nemus\u00edte sa tak v\u017edy spolieha\u0165 iba na \u010d\u00edtanie parametrov z h\u013ead\u00e1\u010dika alebo displeja. Nastaven\u00e9 hodnoty vid\u00edte priamo na tele fotoapar\u00e1tu. M\u00e1 to jedno mal\u00e9 \u201eale\u201c. Na voli\u010di \u010dasu nie s\u00fa kroky po 1\/3 EV. Mus\u00edte teda ob\u010das siahnu\u0165 po ovl\u00e1dacom kole\u010dku, ktor\u00e9 sa pohybuje pr\u00e1ve medzi vyzna\u010den\u00fdmi hodnotami.<\/p>\n

Ovl\u00e1danie Nikonu Z fc je v\u010faka tomu o chlp pomal\u0161ie ako pri Z 50, nie je to ale chyba. Pracova\u0165 s Nikonom Z fc je z\u00e1\u017eitok a je to presne ten typ fotoapar\u00e1tu, ktor\u00fd in\u0161piruje k foteniu a don\u00fati v\u00e1s ho bra\u0165 kamko\u013evek so sebou. Keby som si mal z t\u00fdchto pr\u00edstrojov vybra\u0165 ja, o\u017eel\u00edm pohodlie ve\u013ek\u00e9ho gripu a rad\u0161ej zvol\u00edm \u010dierno strieborn\u00fa retro \u0161t\u00fdlovku.<\/p>\n

\"\"
Nikon Z fc nie je prv\u00fdm modern\u00fdm retro po\u010dinom z pera Nikonu. V roku 2013 toti\u017e pri\u0161iel s full-frame zrkadlovkou Nikon Df. Fotila skvele, ale brzdil ju syst\u00e9m ostrenia prevzat\u00fd zo star\u0161ieho Nikonu D7000.<\/figcaption><\/figure>\n
<\/h5>\n
Na z\u00e1ver prvej \u010dasti<\/h5>\n

Retro fotoapar\u00e1ty s\u00fa \u0161t\u00fdlov\u00e9, z\u00e1bavn\u00e9, ale da\u0148ou za vzh\u013ead m\u00f4\u017ee by\u0165 trochu hor\u0161ia ergon\u00f3mia alebo pomal\u0161ie ovl\u00e1danie. Ni\u010d v\u0161ak nie je \u010diernobiele. Ned\u00e1 sa s ur\u010ditos\u0165ou poveda\u0165, \u017ee s\u00fa retro pr\u00edstroje hor\u0161ie ako tie \u010disto modern\u00e9. Niekedy je toti\u017e dobr\u00e9 trochu spomali\u0165 a u\u017e\u00edva\u0165 si cvakanie voli\u010dov a koliesok. Fotografovanie s retro fotoapar\u00e1tmi je \u00faplne in\u00fdm z\u00e1\u017eitkom ako fotenie s \u010disto modern\u00fdmi strojmi.<\/p>\n

V \u010fal\u0161om diely sa pozrieme na z\u00fabok fotoapar\u00e1tom Fujifilm, Olympus (OM System) a Panasonic a uk\u00e1\u017eeme si aj retro pr\u00edstroje, ktor\u00e9 by ste na prv\u00fd poh\u013ead za retro asi ani nepova\u017eovali.<\/p>\n","protected":false},"excerpt":{"rendered":"

Modern\u00e9 technol\u00f3gie ukryt\u00e9 pod r\u00fa\u0161kom retro kab\u00e1ta? V\u00fdrobcovia fotoapar\u00e1tov radi zahraj\u00fa na n\u00f4tu nostalgie. Niektor\u00ed id\u00fa iba cestou farieb a tvarov, in\u00ed zase vlne retra prisp\u00f4sobia aj samotn\u00e9 ovl\u00e1danie a softv\u00e9r. Ako si tak\u00e9to stroje stoja proti \u010disto modern\u00fdm fotoapar\u00e1tom? Ako to v\u0161etko za\u010dalo Ke\u010f z hist\u00f3rie vynech\u00e1me r\u00f4zne vari\u00e1cie na dierkov\u00e9 komory, ve\u013ekoform\u00e1tov\u00e9 doskov\u00e9 […]<\/p>\n","protected":false},"author":45,"featured_media":48069,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[49],"tags":[],"yoast_head":"\nRetro vs. modern\u00e9 fotoapar\u00e1ty \u2013 \u010co je lep\u0161ie a pre\u010do? 1. diel - CEWE Fotolab blog<\/title>\n<meta name=\"description\" content=\"V\u00fdrobcovia fotoapar\u00e1tov radi zahraj\u00fa na n\u00f4tu nostalgie. 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