{"id":3840,"date":"2017-09-11T09:00:54","date_gmt":"2017-09-11T07:00:54","guid":{"rendered":"http:\/\/blog.fotolab.sk\/?p=3840"},"modified":"2018-12-05T14:32:03","modified_gmt":"2018-12-05T13:32:03","slug":"svetlo-a-kompozicia-i","status":"publish","type":"post","link":"https:\/\/www.fotolab.sk\/blog\/svetlo-a-kompozicia-i\/","title":{"rendered":"Svetlo a kompoz\u00edcia I."},"content":{"rendered":"

Bez svetla, ktor\u00e9 je prapodstatou fotografie, by fotografia ani neexistovala.<\/span><\/p>\n

Samotn\u00fd n\u00e1zov fotografia poch\u00e1dza z gr\u00e9ckeho slova \u03c6\u03c9\u03c2 f\u00f3s (\u201esvetlo\u201c) a \u03b3\u03c1\u03b1\u03c6\u03b9\u03c2 grafis (\u201e\u0161tetec\u201c), \u010do vo vo\u013enom preklade znamen\u00e1 ma\u013eova\u0165 svetlom. Svetlo je jeden z\u00a0najd\u00f4le\u017eitej\u0161\u00edch prvkov fotografie. Pr\u00e1cu so svetlom by mal pozna\u0165 ka\u017ed\u00fd fotograf, ke\u010f\u017ee sveteln\u00e9 podmienky maj\u00fa dopad na kvalitu v\u00fdslednej fotografie.<\/span><\/p>\n

Ak\u00e9 druhy svetla vo fotografii pozn\u00e1me?<\/strong><\/span><\/p>\n

V prvom rade pozn\u00e1me svetlo umel\u00e9 a prirodzen\u00e9. Umel\u00e9 svetlo predstavuj\u00fa v\u0161etky sveteln\u00e9 zdroje a predmety ako lustre, fotografick\u00e9 svetl\u00e1, svie\u010dky a lampy. Prirodzen\u00e9 svetlo n\u00e1m poskytuje Slnko, ktor\u00e9ho intenzita sa men\u00ed v priebehu d\u0148a.<\/span><\/p>\n

Pod\u013ea farebn\u00e9ho odtie\u0148a m\u00f4\u017eeme svetlo rozdeli\u0165 na tepl\u00e9 alebo studen\u00e9. Svie\u010dka produkuje tepl\u00e9 svetlo, \u017eiarivka naopak chladn\u00e9 biele svetlo.<\/span><\/p>\n

Na z\u00e1klade smeru, z\u00a0ktor\u00e9ho svetlo prich\u00e1dza, pozn\u00e1me svetlo bo\u010dn\u00e9, predn\u00e9 a\u00a0protisvetlo.<\/span><\/p>\n

Bo\u010dn\u00e9 svetlo:<\/span><\/em><\/p>\n

\"\"<\/a><\/span><\/p>\n

Predn\u00e9 svetlo:<\/span><\/em><\/p>\n

\"\"<\/a><\/span><\/p>\n

Prostisvetlo:<\/span><\/em><\/p>\n

\"\"<\/a><\/span><\/p>\n

Kompoz\u00edcia je jednoducho povedan\u00e9 rozvrhnutie prvkov obrazu. Je to \u201en\u00e1stroj\u201c, ktor\u00fd v\u00e1m pom\u00f4\u017ee pod\u010diarknu\u0165 to, \u010do chcete sn\u00edmkou poveda\u0165. Mo\u017eno komponujete \u00faplne intuit\u00edvne, no my v\u00e1m radi pom\u00f4\u017eeme vnies\u0165 do fotografie atmosf\u00e9ru.<\/span><\/p>\n

Pozn\u00e1me nieko\u013eko typov kompoz\u00edcie<\/strong><\/span><\/p>\n

1. Zlat\u00fd rez\u00a0\u00a0\u00a0<\/span><\/em><\/strong><\/p>\n

Najzn\u00e1mej\u0161ia je z obdobia renesancie a pop\u00edsal ju s\u00e1m Leonardo Da Vinci ako zlat\u00fd rez. Uvedomil si, \u017ee najprirodzenej\u0161ie je oku vn\u00edma\u0165 svet na \u0161\u00edrku, horizont\u00e1lne a v jednej tretine obrazu.\"\"<\/a><\/span><\/p>\n

2. Dynamick\u00e1 kompoz\u00edcia<\/span><\/em><\/strong><\/p>\n

Naj\u010dastej\u0161ie sa s dynamickou kompoz\u00edciou stretnete pri fotografovan\u00ed architekt\u00fary. U fotografov je t\u00e1to kompoz\u00edcia ve\u013emi ob\u013e\u00faben\u00e1. Zbiehaj\u00face sa l\u00ednie maj\u00fa tendenciu vytvori\u0165 siln\u00fd dojem h\u013abky a priestoru a s\u00fa\u010dasne ve\u013emi silno n\u00fatia div\u00e1ka s\u00fastredi\u0165 pozornos\u0165 tam, kde sa zbiehaj\u00fa. \u0160ikm\u00e9 l\u00ednie zase evokuj\u00fa dojem nap\u00e4tia a pohybu. \u00a0\"\"<\/a><\/span><\/p>\n

3. Statick\u00e1 kompoz\u00edcia<\/span><\/em><\/strong><\/p>\n

Predstavuje rozvrhnutie prvkov do stredu sn\u00edmky, horizont\u00e1lne alebo vertik\u00e1lne. Takouto kompoz\u00edciou fixujeme oko div\u00e1ka na jeden bod alebo l\u00edniu. Vieme tak vnies\u0165 do fotografie pokoj, strnulos\u0165 a ak\u00e9si ukotvenie poh\u013eadu div\u00e1ka.<\/span><\/p>\n

\"\"<\/a><\/span><\/p>\n

4. Kreat\u00edvna kompoz\u00edcia<\/em><\/span><\/strong><\/p>\n

Je ve\u013emi \u0161pecifick\u00fd, niekedy a\u017e neakademick\u00fd sp\u00f4sob komponovania prvkov. Je to ve\u013emi tvoriv\u00e9 a odv\u00e1\u017ene experimentovanie s fotografovan\u00fdm objektom. Don\u00fatime napr\u00edklad div\u00e1ka vidie\u0165 veci \u00faplne netradi\u010dne. Poprieme gravit\u00e1ciu, vymen\u00edme zem za oblaky, dnes u\u017e existuj\u00fa aplik\u00e1cie, ktor\u00e9 v\u00e1m vedia zakomponova\u0165 aj dve a viac fotografi\u00ed, \u010do mnohokr\u00e1t umo\u017e\u0148uje vznik kr\u00e1snych diel.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

\u00a0\"\"<\/a><\/span><\/p>\n

Netreba v\u0161ak zab\u00fada\u0165, \u017ee pr\u00edli\u0161 ve\u013ea prvkov na fotografii ru\u0161\u00ed vn\u00edmanie z\u00e1beru a s najv\u00e4\u010d\u0161ou pravdepodobnos\u0165ou nereprezentuje to, \u010do fotograf v danej chv\u00edli videl a c\u00edtil. Je preto vhodn\u00e9 zbavi\u0165 sa nepotrebn\u00fdch prvkov v kompoz\u00edci\u00ed, sc\u00e9nu prezentova\u0165 \u010do mo\u017eno najjednoduch\u0161ie a rozhodn\u00fa\u0165 sa, ktor\u00e9 prvky s\u00fa d\u00f4le\u017eit\u00e9 a ktor\u00e9 je treba vynecha\u0165. Z tohto poh\u013eadu je teda d\u00f4le\u017eit\u00e9 rozhodn\u00fa\u0165 sa, \u010do odfotografova\u0165. Rovnako d\u00f4le\u017eit\u00e9 je v\u0161ak aj rozhodnutie, \u010do neodfotografova\u0165.<\/span><\/p>\n

\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Bez svetla, ktor\u00e9 je prapodstatou fotografie, by fotografia ani neexistovala. Samotn\u00fd n\u00e1zov fotografia poch\u00e1dza z gr\u00e9ckeho slova \u03c6\u03c9\u03c2 f\u00f3s (\u201esvetlo\u201c) a \u03b3\u03c1\u03b1\u03c6\u03b9\u03c2 grafis (\u201e\u0161tetec\u201c), \u010do vo vo\u013enom preklade znamen\u00e1 ma\u013eova\u0165 svetlom. Svetlo je jeden z\u00a0najd\u00f4le\u017eitej\u0161\u00edch prvkov fotografie. Pr\u00e1cu so svetlom by mal pozna\u0165 ka\u017ed\u00fd fotograf, ke\u010f\u017ee sveteln\u00e9 podmienky maj\u00fa dopad na kvalitu v\u00fdslednej fotografie. Ak\u00e9 […]<\/p>\n","protected":false},"author":14,"featured_media":3841,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[49],"tags":[96],"yoast_head":"\nSvetlo a kompoz\u00edcia I. - CEWE Fotolab blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fotolab.sk\/blog\/svetlo-a-kompozicia-i\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Svetlo a kompoz\u00edcia I. - CEWE Fotolab blog\" \/>\n<meta property=\"og:description\" content=\"Bez svetla, ktor\u00e9 je prapodstatou fotografie, by fotografia ani neexistovala. 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