{"id":12124,"date":"2021-04-01T10:50:03","date_gmt":"2021-04-01T08:50:03","guid":{"rendered":"https:\/\/www.fotolab.sk\/blog\/?p=12124"},"modified":"2021-04-01T11:02:39","modified_gmt":"2021-04-01T09:02:39","slug":"uchvatne-malovanie-svetlom","status":"publish","type":"post","link":"https:\/\/www.fotolab.sk\/blog\/uchvatne-malovanie-svetlom\/","title":{"rendered":"\u00dachvatn\u00e9 ma\u013eovanie svetlom"},"content":{"rendered":"<h5>\u010co znamen\u00e1 lightpainting, a\u00a0ako na t\u00fato zauj\u00edmav\u00fa techniku?<\/h5>\n<p>Ma\u013eovanie svetlom je vcelku \u0161pecifick\u00e1 technika fotografie, ktor\u00e1 s\u00edce nie je pr\u00edli\u0161 roz\u0161\u00edren\u00e1, ale zato dok\u00e1\u017ee zauja\u0165 ak\u00e9hoko\u013evek div\u00e1ka. V\u00fdhodou je toti\u017e fakt, \u017ee hoci je fotografovan\u00fd n\u00e1met akoko\u013evek jednoduch\u00fd, v\u010faka farebn\u00fdm svetl\u00e1m je v\u00fdsledn\u00e1 fotografia p\u00f4sobiv\u00e1 a origin\u00e1lna.<\/p>\n<figure id=\"attachment_12138\" aria-describedby=\"caption-attachment-12138\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-12138\" src=\"https:\/\/blog.fotolab.sk\/wp-content\/uploads\/2021\/03\/Hannu_Huhtamo_OM-D_E-M5_Mark_III__Sample_007.jpg\" alt=\"\" width=\"1024\" height=\"682\" \/><figcaption id=\"caption-attachment-12138\" class=\"wp-caption-text\">Hannu Huhtamo, Olympus OM-D E-M5 Mark III<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>Ako u\u017e samotn\u00fd n\u00e1zov techniky napoved\u00e1, fotografia je tvoren\u00e1 doslova ma\u013eovan\u00edm svetlom. Oproti klasick\u00e9mu pr\u00edstupu, kedy sa fotografuje za denn\u00e9ho alebo pri umelom osvetlen\u00ed, ktor\u00e9 vlastne vykresl\u00ed obraz na sn\u00edma\u010di, pri ma\u013eovan\u00ed svetlom je potrebn\u00e9 ma\u0165 fotografovan\u00fa sc\u00e9nu v pokia\u013e mo\u017eno \u010do najv\u00e4\u010d\u0161ej tme.<\/p>\n<h5>Ako na tmu a na svetlo<\/h5>\n<p>V\u010faka n\u00edzkej hladine osvetlenia je toti\u017e ve\u013emi jednoduch\u00e9 zachyti\u0165 na obrazovom sn\u00edma\u010di stopu svetla, ktor\u00e9 sa vyskytne v priebehu expoz\u00edcie na sc\u00e9ne. Na za\u010diatok je asi najlep\u0161\u00edm rie\u0161en\u00edm vysk\u00fa\u0161a\u0165 si ma\u013ebu svetlom v interi\u00e9ri, ktor\u00fd m\u00f4\u017eete \u013eahko zatemni\u0165 a vytvori\u0165 si tak ide\u00e1lne podmienky.<\/p>\n<figure id=\"attachment_12133\" aria-describedby=\"caption-attachment-12133\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-12133\" src=\"https:\/\/blog.fotolab.sk\/wp-content\/uploads\/2021\/03\/Hannu_Huhtamo_OM-D_E-M5_Mark_III__Sample_002.jpg\" alt=\"\" width=\"1024\" height=\"682\" \/><figcaption id=\"caption-attachment-12133\" class=\"wp-caption-text\">Hannu Huhtamo, Olympus OM-D E-M5 Mark III<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>Popri tme bude treba ma\u0165 po ruke e\u0161te zdroj svetla &#8211; v ide\u00e1lnom pr\u00edpade mal\u00fa bodov\u00fa baterku, ktor\u00e1 v\u0161ak nebude ma\u0165 pr\u00edli\u0161 ve\u013ek\u00fd v\u00fdkon, aby ste si cel\u00fa sc\u00e9nu pr\u00edli\u0161 neosvetlili, tak\u017ee by nebolo vidie\u0165 v\u00f4bec ni\u010d. Pracova\u0165 m\u00f4\u017eete tie\u017e s r\u00f4znymi farebn\u00fdmi filtrami, v\u010faka ktor\u00fdm nasvieten\u00e9 objekty z\u00edskaj\u00fa in\u00fd farebn\u00fd n\u00e1dych a sveteln\u00e1 ma\u013eba m\u00f4\u017ee ma\u0165 tie\u017e \u00faplne in\u00fa farbu.<\/p>\n<p>Nevyhnutn\u00fdm doplnkom je samozrejme stat\u00edv, na ktor\u00fd fotoapar\u00e1t bude nasaden\u00fd a najlep\u0161ie e\u0161te za\u0165a\u017een\u00fd pomocou batohu alebo fotobra\u0161ne zavesenej na h\u00e1\u010diku na stredovom st\u013apiku. Aj mali\u010dk\u00e9 drcnutie do stat\u00edvu v\u00e1m znehodnot\u00ed cel\u00fa fotku, a plat\u00ed to aj o silnej\u0161\u00edch otrasoch podlahy v okol\u00ed stat\u00edvu, tak\u017ee ur\u010dite na\u0161\u013eapujte obozretne.<\/p>\n<figure id=\"attachment_12128\" aria-describedby=\"caption-attachment-12128\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-12128\" src=\"https:\/\/blog.fotolab.sk\/wp-content\/uploads\/2021\/03\/Hannu_Huhtamo_OM-D_E-M5_Mark_III__Sample_011.jpg\" alt=\"\" width=\"1024\" height=\"682\" \/><figcaption id=\"caption-attachment-12128\" class=\"wp-caption-text\">Hannu Huhtamo, Olympus OM-D E-M5 Mark III<\/figcaption><\/figure>\n<h5><\/h5>\n<h5>V\u00fdber miesta<\/h5>\n<p>Pokia\u013e si vysk\u00fa\u0161ate ma\u013eova\u0165 svetlom v interi\u00e9ri, tak budete ma\u0165 z\u00e1kladn\u00fa pr\u00edpravu za sebou a \u010dak\u00e1 v\u00e1s pr\u00e1ca v ter\u00e9ne. Tam je zvy\u010dajne naj\u0165a\u017e\u0161ie n\u00e1js\u0165 vhodn\u00e9 miesto, kde budete foti\u0165. Rozhodn\u00fa\u0165 by ste sa mali medzi dvoma pr\u00edstupmi &#8211; bu\u010f budete fotografova\u0165 iba umelo vytvoren\u00e9 svetlo a nama\u013eovan\u00e9 obrazce v\u00a0tme, alebo sa budete sna\u017ei\u0165 zachyti\u0165 aj okolit\u00fd priestor. P\u00f4sobiv\u00e9 a ve\u013emi efektn\u00e9 s\u00fa sn\u00edmky krajiny, do ktorej je umiestnen\u00fd nasvieten\u00fd objekt alebo osoba.<\/p>\n<figure id=\"attachment_12127\" aria-describedby=\"caption-attachment-12127\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-12127\" src=\"https:\/\/blog.fotolab.sk\/wp-content\/uploads\/2021\/03\/Hannu_Huhtamo_OM-D_E-M5_Mark_III__Sample_010.jpg\" alt=\"\" width=\"1024\" height=\"682\" \/><figcaption id=\"caption-attachment-12127\" class=\"wp-caption-text\">Hannu Huhtamo, Olympus OM-D E-M5 Mark III<\/figcaption><\/figure>\n<h5><\/h5>\n<h5>Ako nastavi\u0165 fotoapar\u00e1t<\/h5>\n<p>Ma\u013eovanie svetlom je z poh\u013eadu expoz\u00edcie ve\u013emi podobn\u00e9 no\u010dn\u00e9mu foteniu, a teda pre neho platia prakticky rovnak\u00e9 pravidl\u00e1 a odpor\u00fa\u010dania. V ide\u00e1lnom pr\u00edpade teda fotografujte v plne manu\u00e1lnom re\u017eime, kde m\u00f4\u017eete ovl\u00e1da\u0165 ako clonu, tak \u010das. Vzh\u013eadom na to, \u017ee budete fotografova\u0165 zo stat\u00edvu, treba vypn\u00fa\u0165 stabiliz\u00e1ciu obrazu, aby nedo\u0161lo k rozmazaniu sn\u00edmky. \u010ealej zvo\u013ete vhodn\u00fa clonu, t\u00e1 bude z\u00e1visie\u0165 \u010diasto\u010dne na pou\u017eitom objekt\u00edve. Neurob\u00edte v\u0161ak zle, ak zaclon\u00edte na F8 a\u017e F11. Z\u00edskate t\u00fdm jednak v\u00e4\u010d\u0161iu h\u013abku ostrosti a tie\u017e vyu\u017eijete tzv. &#8220;Zlat\u00e9 okno objekt\u00edvu&#8221;, teda rozsah cl\u00f4n, pri ktor\u00fdch m\u00e1 v\u00e4\u010d\u0161ina objekt\u00edvov najlep\u0161iu kresbu.<\/p>\n<figure id=\"attachment_12137\" aria-describedby=\"caption-attachment-12137\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-12137 size-full\" src=\"https:\/\/blog.fotolab.sk\/wp-content\/uploads\/2021\/03\/Hannu_Huhtamo_OM-D_E-M5_Mark_III__Sample_006.jpg\" alt=\"\" width=\"1024\" height=\"682\" \/><figcaption id=\"caption-attachment-12137\" class=\"wp-caption-text\">Hannu Huhtamo, Olympus OM-D E-M5 Mark III<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>Citlivos\u0165 vo\u013ete \u010do najni\u017e\u0161iu, napr\u00edklad hodnotu ISO 200 a nezabudnite aktivova\u0165 \u201eRedukciu \u0161umu\u201c, ktor\u00e1 obmedzuje mno\u017estvo \u0161umu a hot pixely pri dlh\u00fdch expozi\u010dn\u00fdch \u010dasoch. Filter \u0161umu, ktor\u00fd obmedzuje \u0161um pri vysok\u00fdch citlivostiach naopak vypnite.<\/p>\n<p>Posledn\u00fdm parametrom je expozi\u010dn\u00fd \u010das &#8211; s t\u00fdm m\u00f4\u017eete pracova\u0165 v z\u00e1sade tromi sp\u00f4sobmi. Zvoli\u0165 konkr\u00e9tny dlh\u0161\u00ed expozi\u010dn\u00fd \u010das &#8211; ostatne sk\u00fa\u0161obn\u00fa sn\u00edmku budete musie\u0165 zaobstara\u0165 tak ako tak &#8211; a chv\u00ed\u013eu experimentova\u0165 s jeho d\u013a\u017ekou. Druhou mo\u017enos\u0165ou je vyu\u017ei\u0165 re\u017eim Bulb alebo Live Time &#8211; v oboch pr\u00edpadoch sa svetlo zbiera po cel\u00fa dobu otvorenia uz\u00e1vierky, \u010do so sebou nesie dve \u0161pecifik\u00e1. Jednak m\u00f4\u017ee d\u00f4js\u0165 k preexpoz\u00edcii, ak bude niekde v z\u00e1bere svetl\u00e9 miesto, ktor\u00e9 neust\u00e1le \u017eiari a jednak uvid\u00edte fin\u00e1lnu fotografiu a\u017e po ukon\u010den\u00ed expoz\u00edcie.<\/p>\n<figure id=\"attachment_12139\" aria-describedby=\"caption-attachment-12139\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-12139\" src=\"https:\/\/blog.fotolab.sk\/wp-content\/uploads\/2021\/03\/Hannu_Huhtamo_OM-D_E-M5_Mark_III__Sample_008.jpg\" alt=\"\" width=\"1024\" height=\"682\" \/><figcaption id=\"caption-attachment-12139\" class=\"wp-caption-text\">Hannu Huhtamo, Olympus OM-D E-M5 Mark III<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>Poslednou mo\u017enos\u0165ou je vyu\u017ei\u0165 re\u017eime Live Composite, ktor\u00fd zjednodu\u0161ene povedan\u00e9 pracuje tak, \u017ee fotoapar\u00e1t nasn\u00edma tzv. referen\u010dn\u00fa sn\u00edmku a n\u00e1sledne bude zaznamen\u00e1va\u0165 len svetlej\u0161ie pixely oproti prv\u00e9mu referen\u010dn\u00e9mu obr\u00e1zku. V\u00fdsledkom bude fotografia, na ktorej nevznikn\u00fa prepaly, ako pri vy\u0161\u0161ie uveden\u00fdch dvoch re\u017eimov.<\/p>\n<h5>Kompoz\u00edcia a pr\u00e1ca s modelom<\/h5>\n<p>Akon\u00e1hle budete ma\u0165 nachystan\u00fa expoz\u00edciu, treba zaostri\u0165 sn\u00edmku &#8211; najlep\u0161ie ru\u010dne, aby ste mali istotu spr\u00e1vneho zaostrenia aj pri dotknut\u00ed sa sp\u00fa\u0161te &#8211; a upravi\u0165 kompoz\u00edciu. Z poh\u013eadu kompoz\u00edcie treba poprem\u00fd\u0161\u013ea\u0165, \u010do m\u00e1 by\u0165 v\u00fdsledkom va\u0161ej snahy. Bu\u010f to bude dominantn\u00e1 samotn\u00e1 ma\u013eba svetlom na tmavom pozad\u00ed alebo bud\u00fa sveteln\u00e9 &#8220;\u0161muhy&#8221; len dokres\u013eova\u0165 hlavn\u00fd objekt sc\u00e9ny.<\/p>\n<figure id=\"attachment_12142\" aria-describedby=\"caption-attachment-12142\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-12142 size-full\" src=\"https:\/\/blog.fotolab.sk\/wp-content\/uploads\/2021\/03\/Hannu_Huhtamo_OM-D_E-M5_Mark_III__Sample_005-1.jpg\" alt=\"\" width=\"1024\" height=\"682\" \/><figcaption id=\"caption-attachment-12142\" class=\"wp-caption-text\">Hannu Huhtamo, Olympus OM-D E-M5 Mark III<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>V prvom pr\u00edpade na kompoz\u00edcii de facto nez\u00e1le\u017e\u00ed, len si ponechajte dostatok vo\u013en\u00e9ho miesta, okolo svetelnej ma\u013eby, aby ste ju mohli pr\u00edpadne oreza\u0165. Ak mienite vysvieti\u0165 aj \u010das\u0165 sc\u00e9ny &#8211; kame\u0148, strom, potok a pod. &#8211; potom je treba voli\u0165 adekv\u00e1tne kompoz\u00edciu s vyu\u017eit\u00edm zn\u00e1mych pravidiel.<\/p>\n<p>Ak je s\u00fa\u010das\u0165ou sc\u00e9ny aj model\/ka, potom je potrebn\u00e9 dohodn\u00fa\u0165 sa na minim\u00e1lnom pohybe a snahe dosiahnu\u0165 zamrznut\u00fd postoj. V opa\u010dnom pr\u00edpade hroz\u00ed, \u017ee bud\u00fa kont\u00fary tela, a predov\u0161etk\u00fdm tv\u00e1re neostr\u00e9, pr\u00edpadne zdvojen\u00e9, \u010do nie je \u00faplne \u017eiaduce.<\/p>\n<figure id=\"attachment_12135\" aria-describedby=\"caption-attachment-12135\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-12135\" src=\"https:\/\/blog.fotolab.sk\/wp-content\/uploads\/2021\/03\/Hannu_Huhtamo_OM-D_E-M5_Mark_III__Sample_004.jpg\" alt=\"\" width=\"1024\" height=\"682\" \/><figcaption id=\"caption-attachment-12135\" class=\"wp-caption-text\">Hannu Huhtamo, Olympus OM-D E-M5 Mark III<\/figcaption><\/figure>\n<h5><\/h5>\n<h5>Tipy pre prax<\/h5>\n<p>Vzh\u013eadom na to, \u017ee sa pri tejto technike vyu\u017e\u00edva prim\u00e1rne nedostatok svetla pre vytvorenie zam\u00fd\u0161\u013ean\u00e9ho efektu, je potrebn\u00e9 dodr\u017eiava\u0165 osved\u010den\u00e9 postupy. Patria sem nasleduj\u00face:<\/p>\n<ul>\n<li>Nezabudnite na samosp\u00fa\u0161\u0165 &#8211; aj letm\u00fd dotyk sp\u00fa\u0161te m\u00f4\u017ee rozvibrova\u0165 stat\u00edv a znehodnoti\u0165 tak v\u00fdsledn\u00fa fotku<\/li>\n<li>Oble\u010dte si \u010do najtmav\u0161ie oble\u010denie, aby ste na sc\u00e9ne neboli nedopatren\u00edm vidie\u0165<\/li>\n<li>Baterku rozsvecujte iba v okamihu, ke\u010f ju chcete pou\u017ei\u0165, a to tak, \u017ee ju zatvorte do dlane, aby ste eliminovali parazitn\u00e9 svetlo<\/li>\n<li>Ak budete priebe\u017ene kontrolova\u0165 sc\u00e9nu na sp\u00e1rovanom mobile, oto\u010dte sa chrbtom k fo\u0165\u00e1ku alebo od\u00ed\u010fte zo z\u00e1beru, aby ste ho nepokazili<\/li>\n<li>Ak budete ma\u013eova\u0165 p\u00edsmen\u00e1, nezabudnite na ich stranov\u00e9 oto\u010denie, inak nebude n\u00e1pis \u010ditate\u013en\u00fd<\/li>\n<\/ul>\n<figure id=\"attachment_12131\" aria-describedby=\"caption-attachment-12131\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-12131 size-full\" src=\"https:\/\/blog.fotolab.sk\/wp-content\/uploads\/2021\/03\/Hannu_Huhtamo_OM-D_E-M5_Mark_III__Sample_0021.jpg\" alt=\"\" width=\"1024\" height=\"682\" \/><figcaption id=\"caption-attachment-12131\" class=\"wp-caption-text\">Hannu Huhtamo, Olympus OM-D E-M5 Mark III<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>Zdroj: https:\/\/www.mujolympus.cz<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u010co znamen\u00e1 lightpainting, a\u00a0ako na t\u00fato zauj\u00edmav\u00fa techniku? Ma\u013eovanie svetlom je vcelku \u0161pecifick\u00e1 technika fotografie, ktor\u00e1 s\u00edce nie je pr\u00edli\u0161 roz\u0161\u00edren\u00e1, ale zato dok\u00e1\u017ee zauja\u0165 ak\u00e9hoko\u013evek div\u00e1ka. V\u00fdhodou je toti\u017e fakt, \u017ee hoci je fotografovan\u00fd n\u00e1met akoko\u013evek jednoduch\u00fd, v\u010faka farebn\u00fdm svetl\u00e1m je v\u00fdsledn\u00e1 fotografia p\u00f4sobiv\u00e1 a origin\u00e1lna. &nbsp; Ako u\u017e samotn\u00fd n\u00e1zov techniky napoved\u00e1, fotografia [&hellip;]<\/p>\n","protected":false},"author":41,"featured_media":12141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3,49],"tags":[96,112,108,64,99,59],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u00dachvatn\u00e9 ma\u013eovanie svetlom - CEWE Fotolab blog<\/title>\n<meta name=\"description\" content=\"Ma\u013eovanie svetlom je vcelku \u0161pecifick\u00e1 technika fotografie, ktor\u00e1 s\u00edce nie je pr\u00edli\u0161 roz\u0161\u00edren\u00e1, ale zato dok\u00e1\u017ee zauja\u0165 ak\u00e9hoko\u013evek div\u00e1ka.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fotolab.sk\/blog\/uchvatne-malovanie-svetlom\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00dachvatn\u00e9 ma\u013eovanie svetlom - 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